Kimono . Based on comparison with similar pattern books from the Meiji period 明治時代 (1868–1912), the item can tentatively be dated to the turn of the century. Object description : "Okimono - Ivory - Japan - Meiji Period (1868-1912)" curious okimono consisting of two Hotei embraced to form a sphere Object in excellent condition with veins and wear consistent with age and use. A sticker inside the back cover indicates that the book passed through the hands of the erstwhile Kyoto bookseller Yamamoto Bunkadō 山本文華堂 [Figure 2]. The hakama, as worn by the young boy, can be worn as an outer garment over the kimono. Following the example of the Emperor who cut off his topknot in 1872, many Japanese men began to do likewise, and Western haircuts, mustaches and beards soon became the norm. Kimono - Satin, Silk - Clouds and pine trees - Japan - ca. Yokoya, Kenichirō. This way of hanging the kosode effectively reveals the lining, which is an important element of kimono fashion (see the vivid orange lining in Figures 3-5). In the wake of Japan’s civil war, the seventeenth century saw the beginning of a long era of political stability. The Item was produced prior to 1947, and is therefore in compliance with the European Union regulations on ivory trade. ;Bodenunterseite mit Signum.Höhe ca. The design in the book also includes the nami chidori motif, which suggests that this tomesode would be suitable for wearing to an autumn wedding [Figure 11]. A lavish survey of the Khalili Collection's world-renowned holdings of traditional Japanese kimono, from the Edo period to the 20th century. Kimono has no pockets, and only women's garments had places in the sleeve to keep small objects. "Kimono" meant "something you wear" originally. Ausgefallene Meiji Kleidung für Damen und Herren Von Künstlern designt und verkauft Einzigartige T-Shirts, Pullover, Tank Tops und mehr. 2008. The butterfly symbolizes evolution, resurrection, and longevity, thanks to the transformations that it undergoes in the course of its life cycle. 984 Meiji Period Kimono Accessories Women'S Waist Embankment Silver Land. Kimonos continued to dominate in the early Meiji period, and men and women combined Japanese kimonos with Western accessories. The Meiji era (明治, Meiji, Japanese pronunciation: [meꜜː(d)ʑi]) is an era of Japanese history which extended from October 23, 1868 to July 30, 1912. Nagasaki, Iwao 長崎巌. 20th century Showa period Kokeshi 小芥子 (cylindrical wooden dolls) (6) - Wood - Japan - Shōwa period (1926-1989) Hanging scroll painting - Paper - 'Morihide' 守秀 - Full moon and pine tree - With signature and seal 'Yūgaku' 雄岳 - Japan - 1900-20 (Late Meiji/Taisho) It marked the … Pattern books (called “hinagata bon 雛形本 [model books],” “hiinakata ひいなかた [models],” “ishō bon 意匠本 [design books],” “zuan chō 図案帖 [ideas-in-illustrations books],” etc.) However, they still wear the kimono for special occasions, such as formal ceremonies, but also for fun and fashion.. A kimono is a robe … The variety of patterns attests to the varied tastes of prospective wearers. The combination of flowers from early summer (sweet flag) and autumn (bellflower, bush clover, Japanese silver grass, chrysanthemums) makes this design suitable for spring or autumn (Page 22). 1992. (The Japanese word “kimono 着物” originally meant merely “clothing,” but over the centuries it became—both in Japan and abroad—the word to denote a particular type of Japanese-style outfit involving a kosode and other accoutrements.). For instance, the first volume of Onna shorei shū 女諸礼集 [An anthology of manners and etiquette for women] (1660)—a guidebook for young women preparing for marriage—shows kosodes in the tagasode style to instruct readers in seasonally-appropriate patterns. Edo mōdo no tanjō: mon’yō no ryūkō to sutā eshi 江戸モードの誕生: 文様の流行とスター絵師 [The birth of Edo fashion: pattern trends and celebrity designers]. A more recent example is Jidai kosode hinagata byōbu 時代小袖雛形屏風 [A collection of kosode patterns from the past] (compiled in 1939 by Nomura Shōjirō 野村正治郎), a pictorial encyclopedia of kosodes from previous centuries. Free shipping . This is one of the most common auspicious symbols in Japan, and the book contains four patterns that feature it [Figure 6]. Finely cast, as an elephant throwing a tiger with his trunk, whilst a further tiger is trapped beneath him. 27,99 € Thomas Murray. During this time large-scale industry methods and chemical dyeing techniques from the West began. Lot details … Bid on Japanese Meiji Period Floral Waves Tomesode Kimono sold at auction by Bruneau & Co. Auctioneers 16 on 26th October Japan,Circa 1890Hand woven black silk crepe five crested kimono with hand painted yuzen dye flowers against a … Humoristische Darstellung mit Samuraischwert und fein geritzten Kimono. In Zuanchō in Kyoto: Textile Design Books for the Kimono Trade, edited by Becky Fischbach, 5–32. 31,99 € Avalon Fotheringham. Meiji period (1868–1912) Measurements: 10 … Unique engravings on the kimono and garment covers taken in china. Hagi 萩 [bush clover]: The hagi is one of the autumnal flowers that appear often in classical Japanese poetry. The Meiji Era was the 44-year period of Japan's history from 1868 to 1912 when the country was under the rule of the great Emperor Mutsuhito. For example, this book includes several patterns with the same auspicious motifs such as pines and cranes, but arrayed in different designs. Kimono pattern books that use this tagasode style to showcase patterns are not uncommon. Main Index This beautiful okimono has some striation lines but is in good overall condition and measures 3 ½ inches in length weighing 178g. Complimentary UK shipping included in the price . Meiji Period Beginning at the end of the 1800s, Japanese met with Western influences. The Arts of Japan Galleries have been transformed into a dazzling fashion show of kimono from the late eighteenth century to the present day. In 1868, after two-and-a-half centuries of isolation, the Tokugawa shogunate was replaced by a constitutional monarchy and Japan was reopened to the world under the Meiji Restoration, thus starting the Meiji period. Mutsuhito wählte als Titel das Motto seines Regierens: Meiji (明治, Ligatur: , deutsch: aufgeklärte Herrschaft). It is considered fashionable to wear a kimono with botanical motifs marking the coming season, while it is seen as uncouth to wear a kimono with seasonal patterns after that season has passed. Frage zum Artikel? The tagasode style works well for the tomesodes in this pattern book, because tomesodes have patterns only below the torso; therefore, there is no need to show the sleeves or upper part. Boettcher, Cheryl. Beginnend mit der Meiji-Restauration wurde aus dem Feudalstaat Japan eine mode… However, even within the limited realm of tomesodes (where formal dress codes may restrict one’s style), there is room for personal choice. 2002. Juli 1912. Japan, Meiji period (1868-1912). Silk kimonos were luxury items not available to women of all classes. The pattern with the misu motif in the book has a design with plums and chrysanthemums partially obscured by a haze—an artistic gambit frequently used in paintings in pre-modern Japan [Figure 12]. Discussion of kimono fashion often centers on casual kimonos, which ostensibly afford more freedom of expression. The book bears no publication information, suggesting that it is an unicum created for a small circle of designers and clients. Other designs fit multiple seasons. The kimono (きもの/ 着物) (lit., "thing to wear" – from the verb ki (着), "to wear (on the shoulders)" and the noun mono (物), "thing") is a traditional Japanese garment and the national dress of … Re-viewing Meiji via Japanese-Canadian Connections | Naoko Kato, Competing Views of the World in Early Modern Japan | Radu Leca, Apocalypse Now: An Alternate View of the Bakumatsu Years | M. William Steele, The Ansei Edo Earthquake and Catfish Prints | Gregory Smits, Reading Edo Urban Space in the Tōkyō Gōshō Sugoroku (Tokyo Rich Merchants Board Game) | Kanaya Masataka, Ginza Bricktown and the Myth of Meiji Modernization | Tristan R. Grunow, J. Cooper Robinson: A Canadian Missionary and Photographer in Japan, 1888-1925 | Benjamin Bryce, John Cooper Robinson and Japanese Commercial Photography | Allen Hockley, The One Hundred Poets in the Meiji Period | Joshua S. Mostow, Meiji Daughters: Their Stuff and Fancy in Brocade Pictures, 1870s-1880s | Miriam Wattles, A Glimpse of Meiji Kimono Fashion | Ayako Yoshimura, Via Hawai‘i: The Transmigration of Japanese | Yukari Takai, Japanese Culture and Language in the Prewar Canadian “Mosaic” | Eiji Okawa, Associational Lives of Women in the Prewar Japanese-Canadian Community | Eiji Okawa, Sex Workers, Waitresses, and Wives: The Disciplining of Women’s Bodies in the Tairiku Nippo (1908-1920) | Ayaka Yoshimizu, Moyō no hon 模様之本 [Pattern book]—part of the UBC Meiji at 150 collection—contains twenty-one hand-painted designs for what we recognize today as tomesodes 留袖 [literally, “trimmed sleeves”], the most formal type of Japanese-style clothing for women. Misu 御簾 [royal screen]: The misu is a type of suspended blind used for the sake of propriety at the royal court (for instance, to sequester the noblewomen, and to shield the nobles from the gaze of commoners in their employ). 199 Antike Damenarm... Ausruf: 300 € Los-Nr. During the Meiji period the tomesode assumed its function as a formal garment for women to wear when attending celebratory events such as weddings, and it was thus common to feature auspicious symbols that contributed to the making of a congratulatory atmosphere. Many of these catalog booklets were taken apart to preserve the prints as art, and this is no doubt where this treasure comes from. The author would like to thank Mizuho Kamo and Natsuko Takasu for their assistance in dating the item and in clarifying certain historical aspects of kimono pattern books. During the period … The pleated skirt is a kind of Kimono. $24.47 0 bids + shipping . While much top-grade silk fabric was exported to Europe, there was an ample supply for domestic consumption by the wealthy. Browsing through such books, clothing designers could concoct ideas for new patterns, while prospective customers could imagine what sort of kosode they might commission. During the war many Japanese women began working outside of their homes and this necessitated a different type of clothing than that typically worn indoors. I wonder whose sleeve might brush against these plums to carry away their scent].” This evocative topos evolved into a popular aesthetic motif in the decorative arts, from screens to writing boxes (see examples at the Metropolitan Museum of Art). National Institute of Japanese Literature, Next: Via Hawai‘i: The Transmigration of Japanese | Yukari Takai, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Netsuke were practical fashion accessories worn by Japanese men of the Edo period (1615 - 1868). Japan, Meiji period (1868-1912). This listing is for a Meiji Era woodblock (ukiyo-e) print of a formal kimono. Meiji Periode ~1900 ... Als Meiji-Zeit, Meiji-Ära oder Meiji-Periode (jap. An anonymous poem in the Spring section of the famous poetry anthology Kokin wakashū 古今和歌集 [A collection of poems from ancient and modern Japan] (ca. The style in which the tomesodes in this book are rendered is called “tagasode 誰が袖.” “Tagasode” literally means “Whose sleeve?”; and the word carries a romantic connotation that implies a longing for the owner of the kosode. Tanchō-zuru 丹頂鶴 [red-crowned crane]: This particular type of crane symbolizes longevity in Chinese culture (an ancient Chinese text called Huainanzi 淮南子 [A collection of philosophies] records that they live a thousand years). The most inclusive pattern in the book is the one with many of the aforementioned motifs alongside Mount Fuji [Figure 14]. By the time our closets quilled over, as well every other available storage room at our place got jammed with our beautiful treasures. First, it was only the Shōwa period which interested us, but then, who resist. 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